Materializing Design
Co-founded a research group at the intersection of design and technology. Produced published research and led collaborative projects across multiple universities.
Visit projectThe Problem
Design knowledge is often treated as secondary to its outputs — the final product gets published, but the reasoning, iteration, and decisions behind it disappear. In academic research, this is a significant gap: if design is a form of inquiry, the process itself is scholarly material worth preserving and sharing.
What We Built
As co-founder of Materializing Design, I helped establish an SSHRC-funded research group at Concordia University (directed by Dr. Rilla Khaled) focused on making design knowledge transparent and academically rigorous.
We developed the Method for Design Materialization (MDM) — a systematic approach to documenting design activity as scholarly output. The method combines:
- Digital archiving of every design stage — sketches, prototypes, iterations, dead ends
- Version-controlled repositories that capture context, constraints, intentions, and rationale at each commit
- Reflective journaling by designers, embedded alongside the artifacts they describe
- Public documentation that makes the full design reasoning traceable from concept to output
The approach draws from prototyping theory, interaction design, software development practices, and archival science — using Git as both a development tool and a research instrument.
My Role
I co-founded the group, contributed to the development of the MDM framework, built tooling and infrastructure for the project archives, and led collaborative projects with researchers across multiple universities. I also worked on several MDM-documented projects that served as case studies for the method itself.
Outcome
The group has produced multiple published research papers, maintained a growing archive of MDM-documented projects by researchers across institutions, and established a replicable framework that other design researchers can adopt. The work has been presented at international conferences and continues to generate new projects exploring design as a form of knowledge production.